论正、俗字的语境差异——以魏晋南北朝译经语料为基础的考察  

On the Contextual Differences between Chinese Orthographic Characters and Folk Characters——A Research Based on the Buddhist Sutra of Wei,Jin,and Southern and Northern Dynasties

作　　者：卢巧琴[1] 樊旭敏[2] 

机构地区：[1]浙江大学汉语史研究中心,浙江杭州310028 [2]浙江经济职业技术学院文化艺术学院,浙江杭州310018

出　　处：《西南交通大学学报（社会科学版）》2011年第2期35-38,共4页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：教育部人文社科重点研究基地重大项目(05JJD740012);浙江省哲学社会科学规划重点课题(10CGZY01Z)

摘　　要：在具体梳理"■"、"■"、"(漂寸)"三个俗字意义的基础上,利用魏晋南北朝译经语料进一步比较其与相对应的正字"行"、"挽"、"漂"的语境差异后发现:俗字"■"、"(漂寸)"的义项与其正字"挽"、"漂"基本对应,"■"则只对应于"行"的名词性语义;在具体运用时,俗字的出现频率也远没有正字高,它们一般出现在相对单一的语境中。This paper studies on the contextual diferenceses between Chinese orthographic characters and folk characters based on the Buddhist sutra of Wei, Jin, and Southern and Northern Dynasties. After a detailed study on the three groups of Chinese characters, namely, hang （行/）, wan （挽/[扌勉） ,piao （漂/）, this paper finds that the meanings of ＂ ,＂＂ are basically corresponding to their orthographic counterparts ＂挽＂ ,＂漂＂; ＂＂ is only corresponding to ＂行＂ on the nominal sense level though; folk characters appear far less frequently than generally folk characters appear always in certain specific orthographic characters in actual usage, and contexts.

关 键 词：正字 俗字 译经语料 语境差异 

分 类 号：H13[语言文字—汉语]