信息传媒时代的文艺及文艺消费之反思  

On Arts and Consumption of Arts in the Information Age

作　　者：徐润拓[1,2] 

机构地区：[1]鲁东大学文学院,山东烟台264025 [2]山东大学中国语言文学博士后流动站,山东济南250100

出　　处：《廊坊师范学院学报（社会科学版）》2011年第1期7-11,共5页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：2009年山东省社科规划项目"信息传媒文化与当代文艺生产消费的新变"(09CWXZ04)成果

摘　　要：处在社会转型期的中国文化形态错综复杂,而且中国业已进入传媒发达的信息社会。从文艺创作上来说,思想缺失进一步加深,创作丧失了伟大的困惑感和深渊感,部分文学创作的思维新闻化、写作的趋利性越来越明显。就作品而言,出现了很多堕落性的形式,如无心智的"蠢文艺"大行其道,网络文学则是网络生态产生的一种注水性文学。信息时代的文艺在多样化的同时,更应保有一种精神上的高度,从而排斥全民性的狂欢与堕落。处在传媒引导和信息包围下的受众,其生活可能失重,因为电视等媒介只是宣传的机器和娱乐的工具,消费主义意识形态本身是社会发展产生出来的悖论性结果,人们应在消费主义的洪流中认清本真之我。With the entry into the Information Age,cultural configurations in China have become complicated in this transitional period.As regards artistic creations,some literary writings have gradually followed the journalistic and commercial trends with the lack of thoughts and grand perspectives.It is no wonder that there has appeard many flattened forms of literary works with the prevalence,for example,of so-called ＂silly arts＂ and network literature as the latter is a sort of debased literature derived from the network ecology.Arts in the Information Age therefore should maintain a spiritual depth while encouraging multiple forms to resist the degraded carnivalism shared by all citizens.People＇s spirits may lose their quality due to the negative influences of media like television as they are instruments for propaganda and entertainment.It is a necessity for people to recognize an authentic self in the trends of consumerism,which itself is a paradoxical result of the social development.

关 键 词：信息时代 消费主义 文艺消费 

分 类 号：I0[文学—文学理论]