两淮民歌的历史演化——兼论台静农《淮南民歌集》的审美价值  

On the Historical Evolution of Folk Songs in Huainan and Huaibei——Additionally on the Aesthetic Value of "Selections of Huainan Folk Songs" Edited by TAI Jing-nong

作　　者：谢昭新[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《安庆师范学院学报（社会科学版）》2011年第1期1-6,共6页Journal of Anqing Teachers College(Social Science Edition)

基　　金：文化部文化艺术科学研究项目(08DA012);安徽省哲学社会科学规划项目(AHSK09-10D95)

摘　　要：民歌起源于劳动,来自社会生活,从《诗经》、汉魏乐府民歌传承下来的两淮民歌,形成以反映民间生活、展示社会风俗、歌咏爱情婚姻为主调。从艺术形式上看,两淮民歌由三言、四言,向五言四句和七言四句发展,在延续发展中,又出现较多的五句子民歌,从而丰富了两淮民歌的歌体形态。台静农搜集整理的五句子歌体《淮南民歌集》,不仅具有展示两淮风俗民情的民俗学价值,而且具有继承传统民歌艺术表现力的审美价值。Folk songs originate from labor and social life.The folk songs in Huainan and Huaibei carry forward the tradition of Shijing and Yuefu.They reflect folk life,describe folk customs and sing love.They used to have 3 or 4 characters in every sentence and then rise to 5 or 7.They used to have 4 sentences in every song and then rise to 5.TAI Jing-nong collects and edits ＂Selections of Huainan Folk Songs＂,which includes a lot of five-sentence songs.These songs describe folk customs in Huainan and make use of many traditional skills.So they not only have folklore value but also have aesthetic value.

关 键 词：两淮民歌 历史演化 风俗民情 审美价值 

分 类 号：I207.7[文学—中国文学]