文学言语形式与风格的形成——《文学概论》的阶段梳理(二)  

Literature Parole Forms and Style-shaping:The Second Period Study on Introduction to Literature

作　　者：田景春[1] 杨勇[2] 

机构地区：[1]文山学院中文系,云南文山663000 [2]昆明学院文学与新闻传播系,云南昆明650118

出　　处：《文山学院学报》2011年第1期59-63,共5页Journal of Wenshan University

基　　金：云南省教育厅科学研究基金项目"边疆少数民族地区高等师范教育目标取向研究"(06Y399C)

摘　　要：文学理论的构建有赖于我们对人类话语形式的准确认知,有赖于我们对不同民族文学生成背后的话语形式的真切感知,也有赖于我们对创作的话语凝成与欣赏的话语认同的多维把捉。文学作品是特殊的话语凝成,是个体言语与群体语言在完美认同后的特殊凝固形态,即特殊的言语形式。这种特殊的言语形式由文学家的特殊性而来,最后由欣赏者认同、理解,在理论视域下阐释为文学风格。既如此,我们认为,文学风格理论的梳理当以话语情景为主,当以一定话语权(如民族话语、地域话语等等)为明确背景。以下内容即以传统中华话语情景为主。Literature theory construction depends on accurate cognition of human＇s discourse, perception of discourse forms behind the different national literatures, and multi-dimension master of creative discourse conciseness and appreciative discourse recognition. Literature works are special discourse conciseness and condensed form after perfect recognition of individual parole and group langue, i.e. special parole form. The specialty comes from writer＇s uniqueness and is recognized and understood by readers finally, which is called literature style in literature theory. Therefore, the study of literature styles should focus on discourse context on the definite speech right, e.g. nation discourse and regional discourse etc. the following is mainly based on traditional Chinese discourse context.

关 键 词：文学 言语形式 作品风格 

分 类 号：I04[文学—文学理论]