通感辨：文学修辞与艺术体验  

Synaesthesia:As a Literary Rhetorical Device and a Type of Artistic Experience

作　　者：王丽[1] 

机构地区：[1]南京师范大学美育研究中心讲师,210097

出　　处：《南京师大学报（社会科学版）》2010年第6期151-157,共7页Journal of Nanjing Normal University(Social Science Edition)

基　　金：国家社科基金青年项目(09CZX047)

摘　　要：目前学术界对通感的研究存在着不同的视角,虽然都直接使用"通感"这一概念,但实际指代的内涵不尽相同,容易造成理解上的混乱。文学领域内的通感修辞格不同于艺术创造或欣赏过程中的通感体验,前者是文学范围内的语言功夫,是文学创造或文学解读,与真实的"通感"隔了一层;后者则是艺术活动中的切身体验,是"亲证"的活动,不需要依赖其它传播媒介。特别是艺术通感具有亲证性和创造性魅力,具有自身的深层结构,在五官联通、心灵综合和生存反射等不同深度实现着通感的整体共鸣。There are various perspectives to look at synaethesia,which might have led to many conflicts and confusions when the same term is used to refer to different things.This paper argues that synaesthesia as a rhetorical device in literature differs from the experience of connected senses in the process of artistic creation and comprehension.Rhetorical synaethesia serves the function of illustration in literature while the artistic synaethesia stems directly from the in-person-experience with no need of any intermediation.Artistic synaethesia has a deep structure and realizes the whole intersensory resonance through three essential channels： intercommunication of different senses,the mental integration of different senses,and the resonance with life experience.

关 键 词：通感 文学修辞 艺术体验 

分 类 号：I0-05[文学—文学理论]