试论创伤性体验与艺术创作之间的关系——以蒙克的绘画艺术为例  

The Relationship between Traumatic Experience and Art Creation——From Monck's Painting Art

作　　者：刘文文[1] 

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《郧阳师范高等专科学校学报》2011年第1期53-61,共9页Journal of Yunyang Teachers College

摘　　要：艺术家的创伤性体验(身心痛苦)与艺术创造或具体创作之间的关联:这种关联的可能性建立在个体的痛苦经验能够具有一种共通性并能通过升华而具有一种面向全人类的深刻价值的基础上,实现这种关联的方式即个体的痛苦经验必须诉诸于艺术的语言,从而使得艺术家的自我表达更具审美价值,同时,创伤性体验与艺术创作的关联不仅对艺术的体验能力、感知能力及象征能力具有意义,而且能够将个体的痛苦升华,从而实现对艺术家自我的拯救和对全人类终极命运的关怀。The connection between artists＇ traumatic experiences（body and mind suffering） and art creation is on the basis that the individual suffering experience can be sublimed for an intercommunity to have a deep value to the human beings,which is realized by the suffering expressed in art language as to make the artist＇s self-expression have aesthetic value.At the same time,the connection does not only have significance to art experience,sensation and symbolization,but also make the individual suffering sublimed to realize artists＇ self-rescue and the care for the human beings＇ ultimate fate.

关 键 词：创伤性体验 艺术创作 关联 

分 类 号：J03[艺术—艺术理论]