途同而归殊——横光利一与尾崎一雄文学理念探幽  

The Same Way but Different Ends——Exploring the Literary Theories of Riichi Yokomitsu and Kazuo Ozaki

作　　者：郭惠珍[1] 

机构地区：[1]华侨大学外语学院,福建泉州362021

出　　处：《华侨大学学报（哲学社会科学版）》2011年第1期110-116,共7页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：国务院侨办科研基金(10QSK14)

摘　　要：横光利一与尾崎一雄的创作初期皆深受志贺直哉的文风影响,然而二者在日本近现文坛上却牵出了两条截然不同的创作轨迹———横光成为新感觉派旗手,公然挑战自然主义文学和普罗文学,而后转入新心理主义小说创作;尾崎则坚持在志贺式私小说的创作道路上不断摸索,最终成为战后日本私小说的代表作家。从二者的师承观与创作观入手,对二者在文学创作的道路上途同而归殊的原因进行了深入的分析。Both Riichi Yokomizu and Kazuo Ozaki are greatly influenced by Naoya Shiga＇ s writing style in their early writing periods,but the two have exposed two quite different inclinations of writing in the recent and modern Japanese literary world.As the bannerman for the new-sensation school,the former openly challenges the naturalistic literature and the proletariat literature,and then turns to write neo-psychologistic fictions.Meanwhile,the later insists on exploring continously following the writing mode of Shiganaoya＇ s fictions,and finally becomes a representative writer of postwar Japanese private fictions.In this paper there is a profound analysis of the reasons why the two writers reach different ends by the same way in their literary writing from their inheriting and writing theories.

关 键 词：横光利一 尾崎一雄 志贺直哉 师承观 创作观 

分 类 号：I106.4[文学—世界文学]