莫高窟194窟漫漶壁画多光谱成像调查与研究  

Investigating and studying the fading away wall-paintings of Cave 194 at Mogao Grottoes with the UV-induced Fluorescence Photography

作　　者：柴勃隆[1,2] 范宇权[1,2] 苏伯民[1,2] 王小伟[1,2] 

机构地区：[1]古代壁画保护国家文物局重点科研基地,甘肃敦煌736200 [2]敦煌研究院保护研究所,甘肃敦煌736200

出　　处：《敦煌研究》2010年第6期74-76,共3页Dunhuang Research

基　　金：2007年度国家文物局重点科研项目:多光谱无损分析调查技术在敦煌壁画中的应用研究(20060207)

摘　　要：本文首次报告了莫高窟第194窟漫漶壁画多光谱摄影调查的结果,研究了漫漶壁画紫外荧光成像原理,并对新揭示的供养人图像的服饰进行了对比研究。将多光谱调查与石窟考古研究相结合,为莫高窟壁画研究提供了新的思路。This paper reports for the first time the results of investigation on the fading away wall-paintings of Cave 194 Mogao Grottoes with the UV-induced fluorescence photography,and studied principle of image conduction by UV-induced fluorescence on the fading away wall-paintings.A comparative study on the newly reviewing images of donor figure＇s dresssing were carried out.By a way of combining method of the multi-spectrum investigation with archaeological studies,it is hopefully providing a new research method for art researcher on wall-paintings study.

关 键 词：莫高窟 多光谱摄影 第194窟 漫漶壁画 紫外荧光成像 

分 类 号：K879.41[历史地理—考古学及博物馆学]