论阿多诺的审美主体观与主体间性问题  

Discussion on Adorno's Aestheticism and the Problem of Intersubjectivity

作　　者：陈士部[1] 

机构地区：[1]淮北师范大学,安徽淮北235000

出　　处：《阅江学刊》2011年第2期101-105,共5页Yuejiang Academic Journal

基　　金：安徽省教育厅人文社科一般项目"现代性语境中的阿多诺美学思想研究"(2009sk215)

摘　　要：阿多诺的审美主体观是对工业文明所造成的严重异化社会现实的积极回应,这种审美主体观有着自身特定的美学内涵:1.诉求审美主体的批判否定功能;2.强调中介,自明审美主体的功能限度;3.偏重审美生产主体。阿多诺的审美主体观念提醒我们:当代美学建构不能迷恋"主体性美学"、"现象学本体论"或"主体间性美学",尽管这种审美主体观仍是一种语言本身的虚构,它提供的只是抽象的主体,但它带给我们的理论想象是不能漠视的。Adorno＇s aestheticism is a positive response to the severe alienation of the social reality, which was ascribed to the industrial civilization. The aestheticism has its own specific aesthetics content： 1. demanding the function of aesthetic criticism and negation; 2. emphasizing intermediary and limitation of the function of aestheticism; 3. focusing on the subjectivity of aesthetic production. Adorno＇s aestheticism reminds us not to rely on ＂Subjective Aesthetics＂, ＂phenomenological ontology＂, ＂Intersubjective Aesthetics＂ to construct the contemporary aesthetics of China. Although Adorno＇s aestheticism is just a fictional language and provides us only an abstract subjectivity, it brings us great theoretical imagination which cannot be indifferent.

关 键 词：阿多诺 审美主体 中介 主体间性 

分 类 号：I01[文学—文学理论]