身体-主体的缺席与实践美学和后实践美学的共同欠缺  

The Absence of Body-Subject Concept:The Common Deficiency of Practical Aesthetics and Post-Practical Aesthetics

作　　者：王晓华[1] 

机构地区：[1]深圳大学文学院,广东深圳518060

出　　处：《学术月刊》2011年第5期96-102,共7页Academic Monthly

基　　金：广东省哲学社会科学"十一五"规划项目"主体性理论视野中的身体美学建构:主体论身体美学研究"(07J01)的阶段性成果

摘　　要：作为实在的活动,实践的承担者只能是身体-主体。离开身体-主体来谈论实践,就无法敞开其实在品格,以实践为原初范畴的美学建构便会处于悬空状态。从这个角度看,实践美学的最大欠缺是对身体-主体的忽略。忽略身体而又强调实践的意义这种自我矛盾的做法不但造就了一系列逻辑悖论,而且使实践美学无法回答许多根本性的美学问题。后实践美学的倡导者虽然力图超越实践美学,但同样未意识到身体-主体的意义,因而也将实践美学的逻辑欠缺带到自身的理论建构中。只有敞开了实践、生存、生命对身体-主体的原始归属关系,我们才能超越实践美学和后实践美学的共同欠缺,建构出圆融的、具有独创性的、富有解释力的汉语美学体系。As a kind of material activity, practice can only be undertaken by body. Body is the subject of practice and the practice of body is the origin of beauty. Practice without body is a self-contradictory idea. From this viewpoint, the main deficiency of practical aesthetics is its overlooking of the body-subject, which cause a series of logical paradoxes and theoretical predicaments. Although the advocates of post-practical aesthetics try to surpass the practical aesthetics, they share the same deficiency with practical aesthetics because they fail to recognize that the body is the subject of pratice. Only when we open up the relationship between body and practice, only then can we overcome the common deficiency of practical aesthetics and post-practical aesthetics. Further more, recognizing the significance of body-subject, we＇ll construct more creative Chinese aesthetics text.

关 键 词：实践美学 后实践美学 身体主体 缺席 欠缺 

分 类 号：B83-06[哲学宗教—美学]