从时间与回忆谈《在细雨中呼喊》  

An Analysis of Time and Memory in Cries in the Drizzle

作　　者：何红梅[1] 

机构地区：[1]西安外国语大学西方语言文化学院

出　　处：《世界文学评论（长江文艺出版社）》2011年第1期196-199,共4页The World Literature Criticism

摘　　要：本文通过对余华第一部长篇小说《在细雨中呼喊》时间与回忆的分析,探讨普鲁斯特在余华小说艺术发展过程中的踪迹,呈现余华怎样创造性地将异质因素转化为个人内在的美学风格并融入到自身独特的艺术创作中。论文旨在指出,通过一种创造性的阅读,余华《在细雨中呼喊》这个"重写"的文本中,在普鲁斯特时间与回忆的启发下表达他个人对人类存在的独特思考。笔者认为,普鲁斯特作为余华创作的文学渊源之一,对余华风格在九十年代的转变具有不可忽视的作用。Based on the time and memory in Cries in the Drizzle, the first novel of Yu Hua, this thesis aims to trace Proust style in the artistic evolution of Yu Hua’s novel, reveal his transformation of heterogeneous factors into the individual aesthetic creation, express his mediation of human existence through his own creative reading and therefore verify the fact that Proust, as one of the literary origins of Yu, has a marked impact on the change of Yu’s style in 1990s.

关 键 词：余华 普鲁斯特 时间 回忆 互文性 

分 类 号：I207.42[文学—中国文学]