元杂剧四大家现存散曲所见“清入作上”  

Voiceless Tone Entering as Rising Tone in Four masters’ Existing Sanqu in Yuanzaju

作　　者：黎新第[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《古汉语研究》2011年第2期48-52,96,共5页Research in Ancient Chinese Language

摘　　要：借助元曲句末二字回避上上、去去的特点,可以方便地观察到,在元杂剧四大家、即关汉卿、郑光祖、白朴、马致远四人的现存散曲中,正如《中原音韵》所归纳的那样,清入声字读作上声字。With the help of the charateristics that in Yuanqu’s sentences, the last two words will avoid double rising tone or double going tone, it can be observed that in those existing Sanqu by four famous masters ( Guan Hanqing, Zheng Guangzu, Bai Pu and Ma Zhiyuan 关汉卿、郑光祖、白朴、马致远 ), voiceless entering tone should be pronounced as rising tone which was once summarized in Zhongyuan Phonology(《中原音韵》).

关 键 词：散曲 入声字 上声字 

分 类 号：H114.1[语言文字—汉语]