陶望龄的文学观念及其小品文创作  

LITERATURE CONCEPT AND ESSAYS OF TAO WANGLING

作　　者：李灿朝[1] 

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006

出　　处：《云梦学刊》2011年第3期94-97,共4页Journal of Yunmeng

基　　金：湖南省哲学社会科学基金项目(09YBB182);湖南省高校创新平台开放基金项目(10K028)

摘　　要：陶望龄与公安三袁过从甚密,在文学主张上桴鼓相应,是公安派的得力干将。他反对七子派的文学复古主张及摹拟剽窃文风,提倡缘性而抒文,诗文须"自胸膈中陶写出",陈言务去;并提出了以自然性情为前提的文学"偏至"说,其文学观念成为公安派文学思想的重要组成部分。在创作实践上,陶望龄遵循"独抒性灵"、求新求异的属文宗旨,其园林、尺牍小品及山水游记,信手填写,自然新奇而又情理兼具。Tao Wangling is a key person of the school of Gong An of literature.He has close contacts with another three key persons all surnamed Yuan of the same school of literature,and shares with them a common literary concept.He is against literary backwardness and advocates that poems and essays should be naturally expressed from hearts without any obsolete words.His literary ideas constitute an important part of the literary thoughts of the school of Gong An.In creative practice,he follows the principle of seeking natural expression,literary innovation and distinction.As a result,his essays are distinctive for both their natural emotional expressions and rational reasoning.

关 键 词：陶望龄 公安派 文学观 小品文 

分 类 号：I206.2[文学—中国文学]