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作 者:张帆[1]
出 处:《绵阳师范学院学报》2011年第6期81-84,89,共5页Journal of Mianyang Teachers' College
基 金:西华大学校级重点学科建设成果论文;项目编号:XZDO905-9-0
摘 要:中国古典诗歌历来注重"美刺"的教化功能,但对于重大的自然灾难却鲜有表现。汶川大地震和玉树地震在两年内相继发生,诗歌的抒情主体倏忽回归到时代的"大我",改变了长期以来陷于"小我"圈子里自娱自乐的状况,不少诗人还借用旧体诗词寄情抒怀。今天,当我们诀别灾难,静下心来沉淀这场由灾难诉说引起的古典诗潮,会发现诗人们对传统美刺精神的把握、继承与超越,集中体现在当代人珍视生命的人文关怀、直面现实的诗人良知和由此引发的悲悯情怀及含蓄深沉的理性洞彻。Classical Chinese poetry has always stressed on enlightenment function of the term"eulogy-satire",which is rarely shown in natural disaster poetry,however.With the occurrences of Wenchuan and Yushu earthquake within two years,the lyric subject of poetry suddenly returns to the "Big I" era from the long-termed self-amusement state of "Little I" circle.And many poets have expressed feelings by traditional poetry and lyrics.Today,as we bid farewell to disaster,calm down to taste the classic poetic trend caused by disaster,it can be found that poets grasp,inherit and transcend the spirit of "eulogy-satire",which embodied in humanistic care of contemporary people cherishing life,poets' conscience of facing to reality,compassion and rational reflection.
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