辛西娅·欧芝克早期小说的复调特征——以《异教徒拉比》为例  

Heteroglossia in Cynthia Ozick's The Pagan Rabbi

作　　者：肖飚[1,2] 杨仁敬[2] 

机构地区：[1]西安建筑科技大学文学院,陕西西安710055 [2]厦门大学外文学院,福建厦门361005

出　　处：《外语教学》2011年第4期76-79,共4页Foreign Language Education

基　　金：西安建筑科技大学人文社科研究基金项目"辛西娅.欧芝克小说中的‘父亲情结’及其‘犹太性’研究"(项目编号RW0904)的研究成果之一

摘　　要：本文运用巴赫金"声音、意识"复调和热奈特"叙事语式"复调理论,分析辛西娅.欧芝克早期短篇小说《异教徒拉比》的复调性,揭示其折射出的作者早期有关"想象力"及"犹太性"关系的困惑与思考,探究随后成为其标志性特征的"道德想象力"及"礼拜式文学"的缘起和动因。The paper takes The Pagan Rabbi, the first story in Cynthia Ozick＇ s first collection of short stories as the sample of her early creation and analyzes its heteroglossia on the basis of the polyphony theories by M. M. Bakhtin and G. Genette. It aims to point to Ozick＇ s meditations on the relationship between ＂imagination＂ and ＂Jewishness＂ in her formative years, an indispensable impetus for ＂moral imagination＂ and ＂liturgical literature＂ which have secured her prominence in contemporary Jewish American writing.

关 键 词：复调 想象力 犹太性 

分 类 号：I712.074[文学—其他各国文学]