优戏与戏曲口述剧本的起源  

On the Chinese Farce and the Origin of Traditional Opera Oral Play

作　　者：郑劭荣[1] 

机构地区：[1]长沙理工大学文法学院,湖南长沙410004

出　　处：《华南农业大学学报（社会科学版）》2011年第3期138-143,共6页Journal of South China Agricultural University(Social Science Edition)

基　　金：教育部人文社会科学研究项目(10YJC751133)

摘　　要：口述剧本是一种非常古老的剧本形式,其源头最早可以追溯到古代的优戏。优戏以滑稽、戏谑、斗口为特征,早期演出没有剧本,仅靠演员临场发挥。"优语"经历了从口头文学至书面文学的转变过程,优人大多擅于言辞,具备较强的现场编演技能,优戏表演具有明显的即兴编创特征。唐宋优戏很可能产生了文字剧本,从戏剧套语的使用和戏剧题材的因袭等情况来分析,口述剧本传统并未中断。Oral play is an old script and its headstream can be traced back to the ancient farce.Chinese farce has the characteristics of amusement,banter and debate,and it had no script and was improvised by clown.Youyu went through the development from oral literature to written one.The performer was good at in chatting and teasing and had the skills of improvisation.Chinese farce has clear characteristics of improvisation.Maybe the farce of Tang-Song dynasty had written play by analyzing the conventional phrases and material of drama,and the tradition of oral play didn＇t lose.

关 键 词：优戏 即兴编创 口述剧本 

分 类 号：I237[文学—中国文学]