“窃攀屈宋”与杜甫的创作人生  

The Pursuit of Qu Yuan and Song Yu for Literary Creation and Their Influence on Du Fu's Creative Career

作　　者：熊良智[1] 

机构地区：[1]四川师范大学文学院,成都610068

出　　处：《四川师范大学学报（社会科学版）》2011年第4期82-88,共7页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：国家社会科学基金项目"楚辞的传播形成与作家文学的诞生"(编号:08BZW027)中期研究成果之一

摘　　要：杜甫成为伟大的诗人,不仅在于他转益多师,"尽得古今之体势",而且更在于他有自觉的艺术追求。而这种"自觉"又不仅仅表现在"技巧"、"功夫"方面,更重要的是他将诗人作为了人生价值的实现目标。这当然是与诗人诗为"家事"的自豪、"窃攀屈宋"的艺术取向、宋玉"吾师"的价值范式和自身现实遭遇构成接受视野密切相关的。The reasons why Du Fu became a great poet were not only because he had learned from many masters and ＂managed to acquire various literary forms and styles of different times＂,but also because his initiative artistic pursuit manifested in his literary ＂techniques＂ and ＂skills＂,and more importantly,he regarded being a poet as the goal of realizing his life value.With no doubt,his thought was closely related to the poet＇s pride in creating poem for country＇s affairs,his artistic orientation of pursuing Qu Yuan and Song Yu,his paradigm value of ＂following Song Yu as my example＂ and his own life experience is a fusion of reception horizon.

关 键 词：杜甫 自觉主体 屈宋 接受视野 

分 类 号：I207.22[文学—中国文学]