水:从情结到审美的文化历程  

Water: From Complex to Cultural History of Aesthetic

作　　者：苏燕[1] 李德民[1] 

机构地区：[1]东北石油大学人文科学学院,黑龙江大庆163318

出　　处：《河海大学学报（哲学社会科学版）》2011年第2期45-48,92,共4页Journal of Hohai University：Philosophy and Social Sciences

基　　金：黑龙江省人文社会科学研究项目(11552004)

摘　　要："情结"作为一个心理学名词为我们解读文学尤其是解读诗歌意象的深层意蕴提供了一把金钥匙。我们发现中国文人普遍存在着一段未了的情怀———恋水情结,而这个情结源自于不易获得的前意识。它并不是一个死寂不动的存在,而是随着时间的推移与外物的激发沿着直觉、理性、审美的路线向前梯次展开,最后座实在水意象上,使这个水意象在不同语境中具有多元甚至是相反的主题指向。这种相反的主题指向以水滨迎娶与情崩离散等婚恋现象和退隐江湖与激流勇进等人生进退最为典型。As a psychological term,complex provides a golden key for the interpretation of literature,especially the deep connotation of poetic image.It is found that the Chinese scholars usually have the complex of loving water,which derives from unavailable pre-consciousness.Instead of a motionless existence,such complex hierarchically extends forward in a intuitive,rational and aesthetic way,which happens when the time goes by and the external objects stimulate.Thus water image have multi-themes in different contexts.Some of the themes are even contradictory,which are typical of waterfront marriage and feelings' change or retiring from public life.

关 键 词：水 情结 审美 文化 

分 类 号：G122[文化科学]