中日美学思想之比较——以“自然观”影响为中心  

The Comparison between Sino-Japanese Aesthetics——Take "Nature" Influence as Center

作　　者：周建萍[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221116

出　　处：《学术月刊》2011年第7期101-106,共6页Academic Monthly

基　　金：国家社会科学基金项目"中日古典审美范畴比较研究"(07CZW005)的阶段性成果

摘　　要：东方美学思想注重对自然生命的赞美和讴歌,尤以中日两国为代表。中日两个民族作为东方国家,它们有共同的文化体系,但又形成了各自独特的审美特质,其中"自然观"的影响对两个国家美学思想的形成发挥了一定作用。"天人合一"的自然观念在中国人眼里就是强调天人浑然相融,它消除了主客间的界限,达到了忘我的"天地与我并生,万物与我为一"的境界,使精神上达到自然畅美的状态。日本民族在对大自然的感悟中,随着自然风物的花开花落、随季荣枯触发了他们生命体验中的无常感和孤寂感,并升华到对人生的哲学思考,从而充分体现了日本民族审美的独特性。Oriental aesthetics pays great attention to the natural life, especially in China and Japan. The two nations as Oriental country, have a common cultural system, but form a unique asethetic characteristics, in which ＂nature＂ influence on the formation of their aesthetics plays a certain role. ＂Harmony of man with nature＂ in China is to emphasize integrated harmony, eliminates the boundaries between subject and object, then reaches a completely spiritual state. For Japanese, the natural changes arouse a felling of impermanence and loneliness in heart, and they sublimate the feelings to a philosophical thinking of life, which fully embody their aesthetic characteristics.

关 键 词：中国 日本 自然观 审美 

分 类 号：B83-09[哲学宗教—美学]