在知识男性与乡村女性之间:启蒙叙事的一个支点——《在酒楼上》《春风沉醉的晚上》《二月》《迟桂花》的互文性阅读  

On the Relationship between the Male Intellectuals and the Rural Women:a Narrative Fulcrum of the Enlightenment

作　　者：王宇[1] 

机构地区：[1]厦门大学中文系,福建厦门361003

出　　处：《南开学报（哲学社会科学版）》2011年第4期26-33,共8页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：福建省社会科学规划项目(2008B074)

摘　　要：如果说,《在酒楼上》通过对吕韦甫与阿顺之间日常化、肉身化的两性关系书写来彰显启蒙知识分子身份的沦丧,那么,这一命题在其他三篇小说中获得了正面的表述。《春风沉醉的晚上》通过叙述"我"与陈二妹之间的"认别"来使"我"原本被忘却、模糊的知识分子身份渐渐明朗、清晰,《二月》则通过萧涧秋对文嫂、采莲的启蒙、救助来完成萧涧秋的自我角色期待。而《迟桂花》中翁莲的形象俨然是知识男性"我"的多重自我的投射物。乡村女性作为一个"他者",不是被视为与自我完全疏离和断裂的,就是被作为"自我"的外在投射物。而这样的叙事策略实际上内蕴于中国现代文学自身的逻辑中。If we say Zai Jiuloushang highlights the enlightenment intellectuals lost their identity by describing their daily, flesh sex relationship between Lv Weifu and A Shun, then the proposition gets a positive statement in the other three novels. It makes the almost forgotten and obscure intellectual identity gradually clear in Chunfeng chenzui de wanshang by the narrative ＂not recognizing＂ between ＂I＂ and Chen Ermei, and it completes a self- role expectations in Eryue by Xiao Jianqiu＇ s enlightenment on Wensao and Cailian. The image of Wenglian seems be the self - projection of multiple objects in Chiguihua. Rural women as an ＂other＂ are considered as either self - alienation and broken figures, or ＂self＂ external projectiles. And this narrative strategy is actually intrinsic to its own logic of modern Chinese literature.

关 键 词：知识男性 乡村女性 身份想象 

分 类 号：I207.42[文学—中国文学]