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作 者:黄科安[1]
出 处:《福建师范大学学报(哲学社会科学版)》2011年第4期106-114,共9页Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基 金:国家社会科学基金项目"外国散文译介与中国散文的现代性转型"(04CZW012)
摘 要:梁遇春随笔创作,是奉西方"Essay"为圭臬,以杂学作功底,常常作发散性思维,析理精微,笔锋犀利,形成一种"快谈、纵谈、放谈"的"杂谈式"文体特性。就精神实质而言,其思想言说具有一股强大的冲击力,撼动着读者脑海中既有的价值观念,并与中国散文向来重视情趣的传统有所疏离和差异。The creation of Liang yuchun's informal essay which represents divergent thinking,analyses reasoning in an elaborate and subtle way,and wields a pointed pen follows the western criterion of "essay" and is based on the profound mastery of "za xue".And it has formed its own stylistic characteristic—"type of tittle-tattle" featuring "talk forthright and incisively","talk freely" and "talk openly".As far as its spiritual essence goes,its thought has a strong impact on preexisting values in readers' mind and alienates and differs from "temperament and interest" the Chinese prose has always been attaching importance to.
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