清冷空灵,如梦如幻——中国古代山水诗画的审美意境  

Aesthetic Conception in Tradition Chinese Landscape Poetry and Painting

作　　者：宋坚[1] 

机构地区：[1]钦州学院中文与传媒学院,广西钦州535000

出　　处：《钦州学院学报》2011年第4期19-23,共5页Journal of Qinzhou University

摘　　要：诗中有画,画中有诗,诗画一体,诗画互证,这是中国传统诗画艺术所具有的共同特点。中国诗画都在追求空灵飘渺、静穆深远的审美意境,体现了禅道理论对诗画艺术的深刻影响。中国禅道哲学重视幻化和妙悟理论,在空山无人,水流花开的空寂之境,展现了鱼跃鸢飞、花开花落的无限生机景象,启迪着诗画艺术追求淡尽风烟、澹泊空明的审美境界。禅道和诗画艺术的相通圆融,开创了一个独特的意蕴空间,给我们很深的审美启示。Having poetry in the paintings and paintings in poetry,the poetry and paintings melt into one another are common features appear in the traditional Chinese poetry and paintings.Chinese poetry and paintings embodied the traditional cultural values of clarity,fineness,ethereality,simplicity and far-sightedness.This indicated the Taoist impact on the arts of the Chinese tradition poetry and paintings.The Taoist formed a heavy focus on imagination and perception,like revealing attraction and vigor of nature through deserted valley and quiet water-flow.The interconnection of the Taoist and Chinese tradition poetry and painting gives us some revelations,which will help us in the appreciation and development of arts.

关 键 词：审美意境 山水诗画 诗画理论 

分 类 号：I01[文学—文学理论]