影像思维的创造性特性  

Creative Features of Image Thinking

作　　者：黄文达[1] 

机构地区：[1]华东师范大学传播学院,上海200062

出　　处：《华东师范大学学报（哲学社会科学版）》2011年第4期114-119,155-156,共6页Journal of East China Normal University（Humanities and Social Sciences）

基　　金：华东师范大学国家"211"资助项目子项目"教师教育与大众传媒关系研究"阶段性成果之一

摘　　要：对电影影像的研究表明,影像思维是人类思维的重要组成部分,并构成创造性思维的最活跃的部分。在数字技术时代,语言思维与影像思维是互补的,而以直觉的、粘着模式为特征的影像思维越来越体现出它的创新性价值,因此,将思维研究纳入到电影研究的领域,既是电影研究在新的历史条件下的必然延伸,也是创造性思维在多媒介传播环境中得以拓展的重要环节。According to recent researches on movie images the image thinking indicates that 'thinking through the visual' is an important part of human thinking and a most active part of creative thinking.In the digital age of technology language thinking and image thinking are complementary,and the image thinking characterized by intuition and adhesive thinking mode is becoming more valuable.Therefore,taking the study on thinking into the area of film research is a necessary extension of film research in new historical conditions,and also an important step for the development of creative thinking under the spread circumstances of multimedia.

关 键 词：影像思维 创造性思维 直觉 粘着模式 通过视觉思考 

分 类 号：J905[艺术—电影电视艺术]