锣鼓经及其传承方式所体现的中国音乐思维方式  

Thinking Model on Chinese Music Embodied in Luogujing and Its Circulation Pattern

作　　者：彭瑜[1] 

机构地区：[1]上海音乐学院音乐教育系,上海200031

出　　处：《音乐探索》2011年第3期73-77,共5页Explorations in Music

摘　　要：锣鼓经是中国打击乐的主要记谱方法,主要通过口传心授的方式进行传承。这种方式方法在书谱、录音、网络、多媒体等各种现代传承方式流行的今天仍然被普遍采用,这与锣鼓经和口传心授所具有的科学性和独特优点分不开。它们生动、形象地反映了中国打击乐的音乐特征、组合方式、演奏方法,与本地语言和民族文化息息相关。本文从锣鼓经及其口传心授传承方式本身的特点出发,分析其所体现的中国音乐思维方式,研究其在音乐记谱、传播、表演、教育等方面所具有的特殊价值。Luogujing is the main notation for Chinese percussion music, which circulates through oral teaching in spires true understanding. This method has been still in general use since the advent of score, sound-recording, network and multi-media for its own special advantages, that is, to reflect the music characteristics, combination patterns, performing ways having close relationship with local language and national culture in a vivid way. This article makes an analysis on the characteristics of oral teaching in spires true understanding of Luogujing and tries to study on its special value existing in music score, circulation, perform and education.

关 键 词：锣鼓经 口传心授 记谱 背唱 

分 类 号：J613.1[艺术—音乐]