“后实践论美学”综论  

A Summary of Post-Practical Aesthetics

作　　者：王元骧[1,2] 

机构地区：[1]杭州师范大学中国现代美学与文论研究中心 [2]浙江大学中文系,浙江杭州310036

出　　处：《学术月刊》2011年第9期88-99,共12页Academic Monthly

摘　　要："实践论美学"作为20世纪五六十年代美学大讨论留下的重要成果,它的主要贡献是按历史唯物主义的观点,视美为人类在实践活动中所形成的自然与人的一种关系属性,从而突破了传统的客观论美学和主观论美学的思想局限,为美学研究找到了一个科学的理论根基。新时期以来所出现的"后实践论美学"的各种理论主张,不是从根本上否定马克思主义的实践的理论对于美学研究的指导意义,就是试图对之进行改造,来否定美的客观性、社会性,并借此来否定美的哲学,进而把美学归结为只是一个审美经验论和审美心理学的问题。就观念和方法来看,这都不是对美学研究的推进,而是向传统主观论美学的回归。According to historical materialism, ＂Practical aesthetics＂ regarding beauty as the property of the connection between nature and human which is formed by practical action, thus breaks through the limits of objective aesthetics and subjective aesthetics, and finds the scientific base of aesthetic research. All kinds of ＂post-practical aesthetics＂ which arise in the Neo-period, either negates the function of Marxist practical theory in directing aesthetic research, or try to reform it in order to negate the objective and social property of beauty, and regard aesthetics as a problem of aesthetic empiricism and aesthetic psychology. Neither its idea nor its method is enhancement to aesthetic research, on the contrary, it＇s regression to the traditional subjective aesthetics.

关 键 词：实践论美学 后实践论美学 审美关系 哲学美学 经验美学 

分 类 号：B83-06[哲学宗教—美学]