论贾宝玉的死亡言说及其死亡观  

Probe into Jia Baoyu's Remarks of Death and His Thanatology

作　　者：杨明贵[1] 

机构地区：[1]安康学院中文系,陕西安康725000

出　　处：《安康学院学报》2011年第5期52-55,59,共5页Journal of Ankang University

基　　金：安康学院高层次人才科研启动项目"中国近世叙事文学死亡叙事研究"(AYQDRW201107)

摘　　要：在《红楼梦》的文本世界中,贾宝玉既以一个忧郁的、神经脆弱的诗人的身份抒发着对死亡的悲悼,又以一个孤独的、痛苦的哲人的姿态言说着死亡本身对于生存的意义。在贾宝玉的死亡观中,"死亡"既不是一种属灵的非人形式的彼世生活,也绝不是生命的简单终结,它是人内在的规定性,它本身就是生命,就是今世生活。在文化史的层面上,可以说贾宝玉的死亡哲学在理论体系的建构和设计上,依然继承了中国传统"被弃"士人在精神上自我拯救的常规策略。In the original text of ＂Dream of Red Mansions＂, Jia Baoyu had not only expressed his lament to the death, as a depressed and frail poet, but also, he preached the significance that death has created to life, as a lonely and bitter philosopher. In his view, death is neither an incorporeal life that belongs to yond, nor a simple end of the earthborn life. Actually, death is an intrinsic property of human itself on earth. In the culture history, by analyzed the conceive and design of Jia＇s philosophy of death, it can be said, Jia Baoyu had still inherited the conventional tactic of Chinese esquire＇s self-rescue, after they were abandoned by the mainstream society.

关 键 词：《红楼梦》 贾宝玉 死亡言说 死亡观 死亡情结 

分 类 号：I207.411[文学—中国文学]