跨文化旅行中的原作与译作——胡适的译诗与新诗的发生新论  

Writing and Translation in Cross-Cultural Travel:A New Discussion on Hu Shi’s Translation of Poetry and New Poetry

作　　者：陈太胜[1] 

机构地区：[1]北京师范大学文学院

出　　处：《中国比较文学》2011年第4期80-90,共11页Comparative Literature in China

基　　金：教育部人文社会科学研究项目基金资助,项目名称:中国现代诗人的英语诗歌翻译与中国新诗的发生和发展的关系(1915-1950),项目批准号:09YJC751007

摘　　要：胡适早年的英语诗歌翻译，经历了由使用文言古诗体式到白话“新诗体”的转变过程。导致这种不同选择的关键性因素，不是英文原作，而是译者在翻译时持有怎样一种源自于本国文化语境的文学观念。用“新诗体”来翻译英语白话诗，当中起着更重要作用的，是胡适本人的文学观念的革命性变化。在胡适的翻译中，文本不仅通过新的方式、带着新的能量在跨文化的新语境中获得了新的生命，而且由于译者的有意识运作，译作被视为原作，甚至是“新诗”成立的“纪元”。Hu Shi＇s translation of poetry from English changed from classical Chinese and ancient poetic forms to spoken Chinese and new poetic forms, which was caused not by original English writing, but by translator＇s concept of literature deeply rooted in his own cultural context. Putting English poetry into spoken Chinese and new poetic forms is a result of Hu Shi＇s dramatic change of literary concept. In Hu Shi＇s translation, texts were given a new birth with new energy in trans-cultural context and the translation was even taken as original writing, which led tn n n~, ~ ~.o~, ：~ r^t.：_~

关 键 词：翻译研究 白话新诗体 新文类 

分 类 号：H315.9[语言文字—英语] I046[文学—文学理论]