跨学科性:艺术学理论的语境渊源与现实困境  

The Interdisciplinary:the Contextual Origin and Current Predicament of Theory of Arts

作　　者：张晓刚[1] 

机构地区：[1]巢湖学院艺术与创意产业研究中心,安徽巢湖238000

出　　处：《深圳大学学报（人文社会科学版）》2011年第5期139-146,共8页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：教育部人文社会科学研究青年基金项目"艺术学交叉学科的历史与理论研究"(09YJC760008)

摘　　要：艺术学理论学科诞生于现代人文社会科学复杂的科际关联中,具有特定的语境渊源。其不但在与社会文化思潮互动中呈现出学科范式历时性转换的运行轨迹,而且在学科性上还带有跨门类艺术和门类艺术学的综合性特征,以及跨文化体系和跨相邻学科的特点。跨学科性既为艺术学理论提供了丰富的学术资源,又为其学科发展设置了诸多障碍,造成了艺术学理论学科的现实困境。艺术学理论迫切需要厘清与美学、门类艺术学、文艺学等亲缘学科的学科界限,亦要解决人文社会科学方法和理论向艺术本体肆意"移植"和"入侵"造成的学科本性弱化之难题,同时它还要应对原有学科格局下传统学科势力的排斥和化解科学共同体难产的尴尬。Theory of Arts as a discipline was born in the complex interrelations among disciplines of modern humanities and social sciences,and it has its special contextual origin.Its paradigm undergoes diachronic shift in its interaction with social and cultural thoughts.It is interdisciplinary and cross-cultural.Its interdisciplinary feature not only provides rich academic resources,but also sets up obstacles and brings about predicament to the development of the discipline.Its boundaries with other disciplines such as aesthetics,generic study of arts,and theory of literature need to be made clear urgently.Another problem needs solving is that the nature of this discipline becomes blurred because methods and theories of humanities and social sciences are willfully transplanted into or invade art itself.At the same time it is also confronted with such problems as exclusion of some traditional disciplines and lack of members in scientific community.

关 键 词：艺术学理论 跨学科性 亲缘学科 相邻学科 现实困境 

分 类 号：J0[艺术—艺术理论]