不察与洞见——“《诗》无达诂”说探索  

Blindness and Insight:An Exploration of "Plural Interpretations of The Book of Songs"

作　　者：束舒娅[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241003

出　　处：《安庆师范学院学报（社会科学版）》2011年第7期45-49,共5页Journal of Anqing Teachers College(Social Science Edition)

摘　　要：先秦"赋诗断章"的传统,奠定了《诗》走向"无达诂"的开放语境。在文本蓄意的层面,《诗》为"《诗》无达诂"提供了取之不尽的意义场。在读者释意的层面,美刺解《诗》是信仰危机中汉儒精神救赎的唯一出路,而"《诗》无达诂"既是汉儒身份认同的保障,亦是汉儒对时代和历史的先见之明和学理响应。The tradition of ＂chanting songs in poems＇ fragments＂ in Pre-Qin dynasty establishes the open context that The Book of Songs goes to plural interpretation.In terms of the implied meaning of the text,The Book of Songs provides inexhaustible semantic fields to ＂plural interpretation of it＂.In terms of readers＇ interpretation,the irony and analogy is the only way to spiritual salvation which Han Confucianism can choose in their belief crisis.So,＂plural interpretation of The Book of Songs＂ is not only a guarantee to Han Confucianism＇s identity,but also their foreknowledge and theoretical response to the epoch and history.

关 键 词：“《诗》无达诂” 阐释学 “赋诗断章” 讽寓 精神救赎 

分 类 号：I207.2[文学—中国文学]