广西彩调剧中的修辞手法探析  

Study of Rhetoric in Guangxi Caidiao Opera

作　　者：赵敏兰[1] 

机构地区：[1]广西师范大学中文系,广西桂林541004

出　　处：《河池学院学报》2011年第4期60-66,共7页Journal of Hechi University

基　　金：国家社科基金2008年度项目"广西彩调研究"(08XZW019)

摘　　要：回顾数十年来有关彩调剧的研究,不难发现大家多从文学、音乐、表演的角度切入分析彩调剧,却很少涉及其中语言的运用,特别是修辞手法的使用。事实上,彩调剧利用多种修辞手法营造诙谐、幽默的风格,比较突出的有诡谐、曲解等8种手法。这些手法的创造性运用丰富了这个剧种的表现力,形成了有彩调特色的修辞艺术。Having researched the past decades＇ Caidiao opera,one can easily notice that its analyses were mostly made from the perspective of literature,music and performance,but seldom from the perspective of its language usage,especially the use of rhetoric.In fact,Caidiao opera applies various kinds of rhetoric to produce humorous and sarcastic style.Eight ways of rhetoric such as allelomorph,distortion are often used,whose creative application enriches the performance of the opera and forms the art of rhetoric which is characteristic of Caidiao opera.

关 键 词：彩调剧 修辞手法 

分 类 号：H05[语言文字—语言学]