审美的“倒转”——从康德美学到波德莱尔的艺术实验  

The Reversed Aesthetics——From Kantian Aesthetics to the Artistic Innovation of Baudelaire

作　　者：蒋磊[1] 

机构地区：[1]首都师范大学文学院,北京100037

出　　处：《济宁学院学报》2011年第5期14-17,共4页Journal of Jining University

摘　　要："审丑"可能源于经验变动造成的交错感。康德美学为后天经验敞开了大门,使"审丑"成为后天经验的斗争场。19世纪以波德莱尔为代表的颓废诗学对传统意义的审美进行了"倒转",这恰恰佐证了康德所谓必须预设的"共通感"是可以随经验的变动而变动的。对审美经验史的研究,应采取建构主义的态度。＂ugly appreciation＂ may be an illusion,because it comes from the changes of experiences.Kant opened the door for the acquired experiences,then turned ＂ugly appreciation＂into the battlefield which filled with acquired experiences.In 19th century,the traditional aesthetics was reversed into decadent aesthetics by Baudelaire.This proves that the ＂common sense＂ which comes from Kant may changes with the changes of experiences.When we research into the history of aesthetic experience,we should take the attitude of constructivism.

关 键 词：审丑 康德美学 波德莱尔 倒转 

分 类 号：B83[哲学宗教—美学]