中国书画中的传统文化思想特征探析  

A Feature Analysis of Traditional Culture and Ideology in Chinese Painting and Calligraphy

作　　者：赵胜利[1] 

机构地区：[1]集美大学美术学院,福建厦门361021

出　　处：《南京理工大学学报（社会科学版）》2011年第6期117-120,共4页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：基于对中国传统文化中哲学元素的思考,分析了中国书画独特的审美特色和审美情趣,其思辩性特征、书画同源理论的构建源于中国古代哲学对客观事物独特的认知模式,因而产生出迥异于西方的的审美意象。Based on a speculation of the philosophical elements in traditional Chinese culture,this paper analyzes the unique aesthetic features and aesthetic tastes in Chinese painting and calligraphy.The speculative characteristics and homologous theory in painting and calligraphy derive from the unique cognitive mode in ancient Chinese understanding of objects and natural world,so our aesthetic images are totally different from that of the west.

关 键 词：中国书画 思辩性 审美意象 书画同源 

分 类 号：F062.5[经济管理—政治经济学]