“空缺”之美——论弥尔顿的“无韵诗体”  

Beauty in the Blankness—A Study on Milton’s "Blank Verse"

作　　者：陈敬玺[1,2] 

机构地区：[1]陕西师范大学 [2]西北大学文学院

出　　处：《世界文学评论（长江文艺出版社）》2011年第2期51-54,共4页The World Literature Criticism

摘　　要：弥尔顿是为数不多的一流英语诗人之一,他对英语诗歌的一大重要贡献就是将无韵诗体发扬光大并成功引入非戏剧领域里面。本文以其长篇史诗《失乐园》为主要依据,在参考国内外研究成果的基础上,从无韵诗体的渊源、弥尔顿无韵诗体的特质及其艺术表现三个方面进行了考察和分析,并从中得出以下的结论:原本韵脚"空缺"的诗歌形式,经过弥尔顿的发挥和创造而升华成为一种独具艺术意韵又富于表现力的重要英语诗体。As one of the few greatest English poets, Miloton has made contributions to the growth of English poetry, and one contribution is his introduction and perfection of the blank verse in the non-theatre area. This article, on the basis of Miloton’s Paradise Lost and studies of it both at home and abroad, makes a detailed study of the blank verse—its development, characteristics and expressions in the epic. We make the conclusion that a poetic form void of the rhyme, through the hands of Milton, evolves into a major type of English poetry with both beauteous musicality and vividness.

关 键 词：无韵诗体 《失乐园》 英语诗歌 

分 类 号：I207.22[文学—中国文学]