马克思艺术生产理论新解  

A New Interpretation to Marxist Art Production Theory

作　　者：李玉俊[1] 吴学飞[2] 

机构地区：[1]河北大学艺术学院,河北保定071002 [2]河北大学政法学院,河北保定071002

出　　处：《保定学院学报》2011年第5期51-54,共4页Journal of Baoding University

摘　　要：把"艺术生产"作为人异化的生产方式来认识只是研究马克思艺术生产理论的一个角度,不能完全解释艺术理论和实践中的困惑,也不利于我国文化产业的发展。对马克思"艺术生产不平衡"的判断,不应从艺术和社会条件关系的角度进行理解,而应从如何审美及如何进行艺术创作的角度进行分析。艺术是人把握世界的实践方式,目的是实现人自由的本质,审美某种意义上是对人对象化世界的水平及为对象化所付出努力的反思。艺术的意义是展现人自由自觉的能力,这不仅为审美提供新的视角,也为推动当代文化产业多种所有制共同发展提供了理论依据。Art production,as a way of exploring the production method in human＇s dissimilation,is only a perspective to study Marxist art production theory,which can not entirely explain the confusion in art theory and practice,and can not benefit the development of cultural industry in China either.The judgement on the imbanlance of Marxist art production can not be interpreted from the respect of relationship be-tween art and social condition,but analyzed from how to be aesthetic and how to perform art creation.Art is a practical means to master the world for human,aiming at realizing the nature of freedom.Aesthetic,to a certain degree,is a sort of reflection for the efforts in human＇s recognition of their parts in reforming the world and the recognition itself.The significance of art is to display the competence of freedom and the ability of consciousness,which not only offers a new perspective for aesthetic,but peovides theoretical proof to foster the co-development of the multi-ownership in the contemporary cultural industry as well.

关 键 词：马克思 艺术生产 审美 文化产业 艺术创作 

分 类 号：B832.3[哲学宗教—美学]