“轻灵”与“救世”——孙犁与赵树理小说中的乌托邦精神  

"Agile-Minded Delicacy" and "Salvation": The Utopian Spirit in the Novels of Sun Li and Zhao Shuli

作　　者：李国[1] 耿传明[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《山东师范大学学报（人文社会科学版）》2011年第6期25-31,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：国家社会科学基金项目"现代中国乌托邦小说研究"(07BZW052)的阶段性成果

摘　　要：乌托邦文学从其呈现出来的特点来看,可分为唯情式与实事式两种类型。唯情式乌托邦将审美作为最高功利性,力求通过"艺术化图景展现"方式,去改造人的精神进而改造现实世界;实事式乌托邦着眼于对社会形态与制度的关注,体现着理性建构秩序的"救世"情怀。反观上世纪40年代文学地图,孙犁小说所表现出来的"轻灵"审美旨归与赵树理小说所表现出来的"救世"理性追思可以算是这两种乌托邦类型最具代表性的呈现。From the perspective of its characteristics, utopian literature is to be divided into two categories： the ＂extremely emotional type＂ and the ＂extremely factual type＂. Utopian literature of the extremely emotional type takes appreciation of the beautiful as its highest utility, and tries hard to change the spirit of man, and then to reform the real-life world by way of ＂artistic prospect presentation＂ ; whereas that of the extremely factual type makes a point of concerning itself about social forms and systems, demonstrating a salvation sentiment to reconstruct the social order in a rational way. Looking back at the map of literature during the 1940s, the ＂ pure, agile-minded delicacy＂ aesthetic purport indicated in Sun Li＇s novels and the rational memoirist of ＂salvation＂ in Zhao Shuli＇s novels may be regarded as the most representative of the two types of utopian literature.

关 键 词：“轻灵”与“救世” 乌托邦文学 唯情式乌托邦 实事式乌托邦 

分 类 号：I246.5[文学—中国文学]