欧洲浪漫主义文学的基督教情结  

The Christian Complex in European Romantic Literature

作　　者：肖四新[1] 

机构地区：[1]广东外语外贸大学中国语言文化学院,广东广州510420

出　　处：《三峡论坛》2011年第6期73-78,148,共6页China Three Gorges Tribune

基　　金：广东省"211工程"项目"人文学中心建设--比较视野的文学通化研究"科研创新团队"跨文化视野中的跨学科研究"的阶段性成果

摘　　要：法国大革命后的欧洲现实,加剧了人们逃避与超越的心灵渴求,导致欧洲社会出现了一股宗教复兴的思潮。在19世纪欧洲的浪漫主义文学中,普遍渗透着一种基督情结。但基督教再也不可能具有神学本体论意义,而是自我情感的凝聚物,上帝是一种诗性存在。作家们以远离尘嚣的宗教情愫,传达着人类渴望创造一个充满和谐自由的人间乐园的美好愿望。After the French Revolution,social reality in Europe had spurred people to escape or eradicate from the psychological eagerness,which also caused a brain storm of religion renaissance.European romantic literature works in 19th century was commonly full of Christian complex.Christian at that period no longer stood for theological ontology itself,instead it was an aggregation of ego sensibilities and in which God was a poetic existence.With the help of the religion complex that was far from the madding crowd,writers then indicated their best wishes for making a paradise on earth abounding with harmony and freedom.

关 键 词：欧洲浪漫主义文学 基督教情结 情感 

分 类 号：I109.9[文学—世界文学]