抗战时期陪都重庆书法艺术发展简论  

A Brief History of Calligraphy Art of Chongqing as Provisional Capital during the Anti-Japanese Period

作　　者：龙红[1] 姜贤俊[1] 

机构地区：[1]重庆大学艺术学院,重庆401331

出　　处：《艺术探索》2011年第6期18-22,142,共5页Arts Exploration

基　　金：教育部人文社会科学研究规划项目"抗战时期陪都重庆书画艺术研究及其数字化应用建设"(09YJA760054);重庆市社科规划办哲学社会科学规划研究项目一般项目"抗战时期陪都重庆书画艺术研究及其数字化应用建设"(2009XW04)

摘　　要：抗战时期的重庆,为民族解放而战斗的思想与各种形式运动的开展以及反映现实的艺术创作等,构成了一个息息相关的宏大系统。在这种大背景下,陪都重庆的书法艺术发展呈现出了别样面貌。基于战时文化、美术现状的总体背景,去考察陪都重庆书法艺术发展的基本状况及原因,也应是我们研究陪都重庆书法艺术发展的主要途径之一。During the anti-Japanese period of provisional capital Chongqing,minds for liberty had aroused,activities had put forward,and reality reflected artistic creation had emerged on the purpose of national liberation.In this case,a relevant huge system had been formed.In this background,the calligraphy art of provisional capital Chongqing presented special features.Therefore,it is one of the main ways to study the history of calligraphy art of provisional capital Chongqing by investigating the basic conditions and the reasons based on the situation of wartime culture and art status.

关 键 词：抗战时期 陪都重庆 文化 美术 书学观念 发展原因 

分 类 号：J292.1[艺术—美术]