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作 者:黄凤祝[1]
出 处:《艺术探索》2011年第6期59-64,143,共6页Arts Exploration
基 金:上海市重点学科建设项目资助(B001);同济大学促进对德学术交流基金资助项目(0300219038)
摘 要:艺术创作是艺术家对美的感知与表达,同时被艺术的形式和内涵所规范。真正的艺术家应具有其独特的、不可重复的创作形式和内涵。然而,为了迎合大众的口味,许多当代中国艺术家丧失了个体艺术创作的独特性。本文从艺术的功能、美感的接受等方面,对艺术美与艺术创作进行阐述。并结合德国艺术家基弗、里希特的作品与中国传统绘画比较,论证笔者的艺术观,探讨中国当代艺术的现状,以及中国艺术的未来走向和规范方法。The artistic creation is the artists' perceptions and expressions to beauty;meanwhile,it is also limited by the artistic form and connotation.A real artist is supposed to have his unique,unrepeatable creative form and connotation.However,in order to gain popularity,many contemporary Chinese artists have lost the individuality of their artistic creation.This article provides the insight into the artistic beauty and creation from the aspects of the artistic function and the aesthetic acceptation etc.And combining with the comparison between the German artists' works——Kiefer and Richter's paintings and the Chinese traditional paintings,it demonstrates the author's point of view towards art and discusses the status quo of Chinese contemporary art and the future direction of Chinese art.
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