偶像、圣像与形象——论基督教审美立场的转变  

Idol,Icon and Image:the Transformation of the Christian Aesthetic Position

作　　者：王蓓[1] 

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《西北师大学报（社会科学版）》2011年第5期26-31,共6页Journal of Northwest Normal University(Social Sciences)

基　　金：山东省高校人文社科研究计划项目"神话同宗教与艺术的关系研究"(J09WC01)

摘　　要：偶像和圣像同样作为形象在基督教内部却有着截然不同的地位。基督教对偶像的排斥和对圣像的尊敬之间存在着明显的反差。这一看似不可调和的矛盾其实是基督教思想发展历史变迁的产物,更是基督教审美思想改变的直接体现。基督教的偶像观反映了基督教早期对待美和艺术的否定态度,其圣像观则肯定了基督教艺术的信仰价值,促进了各种形态的基督教艺术的蓬勃发展。Idol and Icon also like the image has the distinct status in the Christianity. There is the obvious contradiction between the rejection to idol and the respect to icon from the Christianity. This seemingly irreconcilable conflict is actually the product of the historical development of the Christian thought and is the direct embodiment of change of the Christian aesthetic thought. Christian idol concept reflects the Christian＇s early treatment of negative attitude to beauty and art. Its icon view is sure the beliefs value of the Christian art, and promotes the development of the Christian art.

关 键 词：基督教 偶像 圣像 形象 审美 

分 类 号：B83-0[哲学宗教—美学]