新时期语图关系流变研究——以小说与电影为中心  

Studies on the Evolution of Relation between Language and Image of New Period——Case of Novels and Movies

作　　者：徐巍[1] 

机构地区：[1]上海财经大学国际文化交流学院,上海200083

出　　处：《学术月刊》2012年第2期106-114,共9页Academic Monthly

基　　金：上海市哲学社会科学规划课题"面对图像时代的小说发展趋向研究"(2009EWY003)的阶段性成果;入选2011年上海社联年会优秀论文

摘　　要：新时期以来,语图关系依次出现了图像忠实于语言、图像超越语言和图像支配语言三个阶段。究其原因,新时期以来的中国经济体制经历了由计划经济向市场经济的转型过程;在媒介文化方面,则发生了由印刷文化向视觉文化的转向;作家与导演之间的关系也分别呈现出作家影响导演、导演利用作家和导演支配作家的不同特点;而在社会意识形态方面,则表现为由启蒙思潮向大众思潮的转变过程。新时期以来,图像在被语言建构后,逐渐上升为一种建构性力量,并又试图脱离语言成为主宰性力量,但实践证明,其力量还是有限度的。在其获得中心地位的同时,图像自身的局限性也被放大。因而,面对当今图像时代,图像对于语言的驱遣和放逐只能是暂时性的,语图和谐将是必然选择。This paper systematically analyses the evolution of relation between language and image of new period in China by case of novels and movies, which have successively experienced three stages of image copying language, image surpassing language and image controlling language. The motivation for the evolution include the transition of planned economy to market-oriented economy, the transition of printing culture to visual culture, the transition of relation between writers and directors, the transition of enlightenment thought to mass thought. Therefore, image banishing language is just a temporary phenomenon during the image times, the harmony between image and language will be certain. The evolution of relation between language and image of new period in China is also a natural process conforming to the historical trend.

关 键 词：语言 图像 流变 小说 电影 

分 类 号：I05[文学—文学理论]