论《文心雕龙》的音乐观  

On the Music Concept in Wenxindiaolong

作　　者：胡雪琴[1] 龚贤[2] 

机构地区：[1]江西财经大学人事处 [2]江西财经大学人文学院,江西南昌330013

出　　处：《衡阳师范学院学报》2012年第1期106-109,共4页Journal of Hengyang Normal University

摘　　要：由于儒家思想的重要影响,《文心雕龙》标举儒家音乐观。在审美本质论上,刘勰认为音乐的本质是现实生活的反映,尤其是社会政治生活的反映,音乐的发展变迁决定于现实政治的盛衰;通过音乐可以了解一个国家国势的兴废盛衰。在美感论上,刘勰认为音乐应该具有中和之美,应该是雅正的;他提倡的中和之乐,崇"雅"薄"郑"。在审美功能上,刘勰认为音乐具有重要的教化作用,应该发挥雅正音乐的教化功能。Because the influence of the Confucianism,Winxindiaolong adhered to the Confucianism music concept.On the essentialism and the theory of reflection,Liu Xie thought that the essence of music was the mirror of the real life,especially was the mirror of the real political life.The prosperity and decline of real politics determined development and variance on music.Therefore,people could understand the prosperity and decline of a country by means of music.On the aesthetic perception,Liu Xie thought that the music should have beauty of neutralization and elegance.He advocated the beauty of neutralization,praised highly on elegance,and despised the art of vulgar.On the appreciation of the beauty,Liu Xie thought that the music should play an important role on humanization,and brought the function of the elegant music into play.

关 键 词：《文心雕龙》 儒家 音乐观 

分 类 号：I206.09[文学—中国文学]