唐诗经典影响史的三个层次——柳宗元《江雪》影响研究  

Three Levels of Tang Poem Classics' Influence History-Research on Influence History of Jiangxue by Liu Zongyuan

作　　者：殷学国[1,2] 

机构地区：[1]东南大学艺术学院,南京210096 [2]韩山师范学院中文系,广东潮州521041

出　　处：《安徽师范大学学报（社会科学版）》2012年第1期102-106,共5页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：教育部人文社会科学研究重点基地华东师范大学中国现代思想文化研究所重大项目(71100351)

摘　　要：《江雪》对后世文学创作的影响与后人对其诗典和意象之借鉴和接受属于一体两面的关系,均表现于语典引用、意境重绘和意蕴转换三个方面。这三个方面代表了唐诗经典影响史研究的三个层次,具有方法启示的意义。《江雪》语典的使用频度和语典形式的变化见其在后世的接受程度。对《江雪》意境的重写和再绘则能见出接受过程中一些丰富而细致的变化。寒江独钓意蕴在后世诗作中的接受变化,既丰富了意象内涵,又为探求《江雪》意旨提供了路径和线索。Jiangxue＇s influence on later literature and later writers＇ reception of its poetic codes and images are two aspects in one thing and it can be expressed in three ways： classical allusions,poetic imagery redrawing and meaning conversion.They are the three levels of Tang poems classic＇s influence history,which has the significance of enlightenment in methodology.The frequency of allusions in Jiangxue and change in the form of allusions can signify the degree of acceptance in the following generations.The poetic imagery rewriting and redrawing can reveal some rich and subtle changes in acceptance.The change in acceptance of the fisherman fishing alone by a cold river not only enriches the connotation of imagery,but provides a path and clue for exploring the purpose of Jiangxue.

关 键 词：江雪 柳宗元 接受美学 影响史 

分 类 号：I207.2[文学—中国文学]