水边“双城记”——临海博物馆创作思路解析  

"A Tale of Two Cities" on Waterside:Analysis of Linhai Museum Creation

作　　者：吴涌[1] 仲利强[1] 戴晓玲[1] 

机构地区：[1]浙江工业大学建筑工程学院,讲师310014

出　　处：《华中建筑》2012年第3期54-57,共4页Huazhong Architecture

摘　　要：该文通过对一次建筑实践的记录和总结,在历史和现代、城市和自然两大对立概念中探索了建筑、场所和人的关系,以及在特定建筑中同时协调这些关系的可能性。以临海博物馆设计为例,提供了在滨水建筑中实现双城概念的途径,并从城市、建筑内外和符号因借等方面阐述了设计对象在时间轴和空间轴上的定位和具体的设计手法。Based on the record and review of an architectural practice, this thesis explored relations among architecture, place and human in terms of two opposite concepts, namely, history versus modern times, and city versus nature. The possibility of harmonizing these relations in specific architecture was also discussed in this thesis. Taking Linhai Museum design as an example, it proposed solution to double-city concept realization, and illustrated the temporal and spatial locations of design objects and the design methods from aspects of urban elements, interior and exterior, and symbol accordance.

关 键 词：对立 客厅 城墙 滨水 

分 类 号：TU242.5[建筑科学—建筑设计及理论]