传播学视阈下的抗战朗诵诗  

The Reciting Poems during China's Anti-Japanese War under Field of Vision of The Communication

作　　者：刘慧珍[1] 

机构地区：[1]北京师范大学珠海分校文学院,广东珠海519085

出　　处：《内蒙古大学学报（哲学社会科学版）》2012年第1期92-96,共5页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：国家社会科学基金西部项目(项目批准号:11XZW004)

摘　　要：抗战朗诵诗是抗战时期大众化诗歌运动中最具特色的诗歌形式。它的出现不仅是时代的需要,更是现代多重话语和多种传播方式共同作用的结果。现代传媒不仅为抗战朗诵诗提供了发表的平台,而且极大地影响了朗诵诗的观念、语言、流派、体裁及创作手法等方面的形成。可以说,现代传媒不仅对抗战朗诵诗有抚育之功,而且对其创作还有开拓、型塑之功。The reciting poems is recognized as the most characteristic poetry form in the movement of popularization poetry occurred during the time of China＇s anti-Japanese War. Its emergence is not only the inevitable desire of the historical times, but also the product of both multiple discourses and diversified means of modem communication. It argues that modem mass media has not only opened up a new field for the publication of the Reciting Poems, but also deeply influenced the formation of its concept, language use, genre, style and artistic methods. In sum, modem media has made great attribution to the Reciting Poem both on nourishing and molding.

关 键 词：抗战时期 朗诵诗 现代传媒 型塑 

分 类 号：G210[文化科学—新闻学]