良渚墓葬玉陶艺术与史前江南审美文化的人类学解析  

An Anthropological Analysis of Jade and Pottery Art of Liangzhu Tombs and Prehistoric Aesthetic Culture in Regions South of the Yangtze River

作　　者：李震[1] 

机构地区：[1]浙江师范大学人文学院,金华321004

出　　处：《文化艺术研究》2012年第1期31-35,共5页Studies in Culture and Art

基　　金：浙江省社科重点课题<江南美学史>阶段成果;项目编号:09JDJN002Z

摘　　要：对良渚文化玉器、陶器审美意义的解析,除了其本身造型、装饰的艺术表现外,也需要考虑玉器、陶器的文化场域和用途。良渚墓葬所蕴含的生死观念与墓葬礼仪形成了玉陶艺术赖以存在的意识形态氛围和制度基础。史前江南地区艺术文化事象的审美价值往往意味着当时当地的意识形态和生存理解上的价值,形成独特的美的意蕴。To analyze the aesthetic meanings of jade and ceramic articles in the Liangzhu culture, we need to take their cultural fields and functions into consideration in addition to their shapes and ornaments. The ideas of life and death as well as burial conventions implied in the Liangzhu Tombs constitute an ideological environment and institutional foundation for the art of jade and pottery in the area. The aesthetic value of prehistoric art and culture in the regions south of the Yangtze River has a unique significance of beauty.

关 键 词：良渚墓葬 玉器 陶器 史前意识形态 审美意义 

分 类 号：J01[艺术—艺术理论]