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作 者:刘怀玉[1,2]
机构地区:[1]南京大学马克思主义社会理论研究中心 [2]南京大学哲学系,江苏南京210093
出 处:《西南大学学报(社会科学版)》2012年第3期12-20,173,共9页Journal of Southwest University(Social Sciences Edition)
基 金:国家社会科学基金项目“历史唯物主义的空间化问题研究”(11BZX005),项目负责人:刘怀玉
摘 要:列斐伏尔早期对日常生活主要采取了一种相对比较哲学化与乐观化的立场,认为日常生活是各种社会活动与社会制度结构的最深层次连接处,是一切文化现象的共同基础,也是导致总体性革命的策源地。而他中后期则对日常生活理解得更加微观即社会学化,也相对悲观了一些,并侧重批判了作为现代社会异化现象的"日常生活"及作为现代性的机械重复节奏的"日常性"问题。他在其中期重新厘定了日常生活批判概念,建立了一整套批判现代性日常生活现实的哲学范畴体系与社会学方法,确立了日常生活作为"层次"或"平台"而存在的理念,描绘了一幅与传统社会主义政治革命理想相区别的"瞬间的星丛"图景。到了其晚年,列斐伏尔又提出了"节奏分析"思想,认为现代日常生活是包含着诸多对立的二元节奏。At beginning,Henri Lefebvre holds a relatively philosophical and optimistic ground.His main ideals at this time include :a)that everyday life is the most fundamental juncture between various kinds of social activities and society's institutional structure;b) that everyday life is the mutual foundation of all cultural phenomena and origin of revolution of totality.However,his views and understandings on everyday life in his middle and later years turn to be more micro-sociological compared with his views in his early years.Thus he is relatively pessimistic during this period;he turns to criticize the alienated everyday life and the uniform,repetitive everydayness as well.In his middle years,he redefines the concept of daily life criticism,forms a complete philosophical system and sociological methodology of criticizing modern daily life,establishes the notion that daily life exists as "level" or "platform" and describes a picture of the constellation of the moments which is different from the ideal of traditional socialist political revolution.In his late careers,he also put forward the theory of rhythm-analysis as the following opposition,which can help clarify theoretically the conception.
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