《金陵十三钗》:兽性、人性与神性  

The Flowers of war :Bestiality、Humanity and Divinity

作　　者：赵明[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《华北水利水电学院学报（社会科学版）》2012年第3期97-99,共3页Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

摘　　要：严歌苓以血雨腥风的南京城为背景,以高度的历史责任感斥责和鞭挞了日本侵略者的残忍行径,揭露了其令人发指的无耻兽行。她以女性独特的视角对"金陵十三钗"、教堂神父进行了刻画,彰显了人性的光辉;以"十三钗"舍身取义的民族大义描写人性到神性的升华,同时也为"十三钗"谱写了一曲动人的赞歌。Yan Geling reproached and lashed out the cruel Japanese invaders against the background of a bloody Nanjing city, with a sense of historical responsibility. The film The Flowers of war exposed the invaders＇ shameless animal behaviors which make people bristle with anger. The screen writer portrayed the thirteen prostitutes in Nanjing and the church priest form a female＇ s perspec- tive, which highlighted the humanity. In the film, the thirteen prostitutes sacrificed their lives for the justice and the nation, which was sublimation from humanity to divinity. In a word, the screen writer wrote a moving hymn for the thireteen girls in Nanjing.

关 键 词：《金陵十三钗》 兽性 人性 神性 

分 类 号：I207[文学—中国文学]