从“元四家”绘画作品窥探画家的隐逸思想  

On Reclusive Thought from Paintings by Four Great Masters in Yuan Dynasty

作　　者：徐作先[1] 

机构地区：[1]柳州师范高等专科学校艺术系,广西柳州545004

出　　处：《柳州师专学报》2012年第2期130-133,共4页Journal of Liuzhou Teachers College

摘　　要：从分析元代绘画代表人物"元四家"作品出发,窥探元代画家整体的思想特点。"元四家"在蒙元统治者推行的民族歧视和高压统治政策之下,退隐山林,超然物外,潜心书画。从他们作品的取材、题跋和风格等方面看,都普遍反映出一种复杂而无奈的隐逸思想,这种思想也对明清绘画产生了深远影响。This paper pries into the overall characteristics of painters in Yuan dynasty by analyzing the paintings of Four Great Masters in Yuan dynasty. Due to the ethnic discrimination and the high pressure ruling policy of Yuan rulers, the four great masters in Yuan dynasty retreated from public life, detached and concentrated in paintings and calligraphies. A complicated but helpless reclusive thought could be seen in the drawing materials, preface and postscripts, and styles of their paitings. This thought produced far - reaching impact on paintings of Ming and Qing dynasty.

关 键 词：元代 绘画 元四家 隐逸思想 

分 类 号：J209.2[艺术—美术]