“怪诞”与“怪”  

“Grotesque” and “Strange”

作　　者：刘法民[1] 

机构地区：[1]江西教育学院中文系,江西南昌330032

出　　处：《江西教育学院学报》2012年第2期139-145,共7页Journal of Jiangxi Institute of Education

摘　　要：我国美学怪诞泛化的主要表现,是将中国文论中的"怪"当grottesco怪诞。怪诞是恶与滑稽按反常化方式构成的、既可怕又好笑的系统结构模式审美形态。怪是以反常化方式构成的、能使人惊异的一切对象。怪诞的构成成分是恶与滑稽,怪既可以是真善美也可以是假恶丑。怪诞的构成方式是反常化,怪是在常有、现实的反方向上制造陌生、超现实,本质上也是反常化。怪诞的接受反应是可怕与好笑的混杂,怪只是惊。The main performance of grotesque generalization of Chinese aesthetics is to take the ＂strange＂ in Chinese literary theory as ＂grotesque＂.＂Grotesque＂ is constituted by evil and funniness in an unusual way,a scary and funny aesthetic form of system structure model.＂Strange＂ refers to all objects that make people amaze in an unusual way.The compositions of grotesque are evil and funniness,while for strange,the compositions can be either truth,good and beauty or falsehood,vice and ugliness.Grotesque is constituted in an unusual way,strange means to create strange and super-reality on the opposite direction of the usual and reality,an unusual way in nature.The response of grotesque is the mixture of the terrible and hilarious,while the response of strange is amazing.

关 键 词：“怪”即“怪诞” 怪 怪诞 异同 

分 类 号：B83-069[哲学宗教—美学]