从地方回应到书写变革——公元7—8世纪的吐鲁番民间书法  

From The Regional Response to Calligraphic Reform: The Folk Calligraphy of Turpan in 7-8 Century

作　　者：周珩帮[1] 

机构地区：[1]伊犁师范学院艺术学院,新疆伊宁835000

出　　处：《伊犁师范学院学报（社会科学版）》2012年第2期58-63,共6页Journal of Yili Normal University

基　　金：2012年教育部人文社科青年项目<汉魏隋唐书法在西域的传播与接受研究>(12YJC760125)

摘　　要：在隋唐中原文化艺术广泛传播于西域的背景下,7—8世纪的吐鲁番,出现了身份更为多样的书写群体,书写意识更为觉醒,以楷书和行草书为主,民间书法逐渐完成了魏碑体、写经体与唐楷的融合,行草书方面进行了一系列自觉的尝试,可看作唐代后期书法变革在地域、民间的一种先声。Owing to the culture and art of Central Plains which broadly diffused at Western Regions in Sui and Tang Dynasty, it was many writers that had various identities, awakened to calligraphic consciousness. Chiefly based on Regular Script and Cursive Script, the folk calligraphy accomplished the introjections which were tablet inscriptions of the Northern Dynasties, Sutra inscriptions developing to Regular script of Tang Dynasty in 7-8 century, there were a series of consciously probes as well as Cursive Script, it became a first signs of calligraphic reform by regional and folk ways in later period of Tang Dynasty.

关 键 词：吐鲁番 隋唐 民间 书法 

分 类 号：J292.1[艺术—美术]